Design Requirements for NetApp’s New Logo
I love our old logo, and I’m going to miss it. NetApp has been an important part of my life, and I’ve built up many positive associations with that logo over the years. Part of what’s fun is the way some lines are missing; for many people, it takes a while before it “pops” as a 3D image – almost like an optical illusion.
So I’m sympathetic to people who wish we’d kept the old logo. I’ve been asked: Do you like that new logo? What was wrong with the old one? What does the new logo mean?
I’ll answer these questions, but to me they miss the most important point, which is: How do you design a logo that helps drive higher awareness? It’s okay to ask whether you like something, but when you consider a designed object, you should also ask whether it meets the design requirements. Here were ours:
- visually distinctive
- memorable and easy to get
- foundation of a visual system (not just a stand-alone symbol)
- can absorb meaning and feeling over time
The first two requirements are subtly different. Our previous logo was visually distinctive; I’ve never seen another one like it. But it was hard to remember or describe. Also, the 3D-optical-illusion thing was a problem, since some people never did get it. One person asked, “Why is your logo an arrow pointing down to the left?” Another asked, “Why do you have a forward C and a backward C next to each other?” Perhaps technical talent correlates with 3D visualization skills, because it was mostly non-technical people who saw a confusing 2D image, but that was a problem for our goal of driving awareness in business people.
Visually distinctive does not mean “unique in all the world”; it just means unique within the tech industry. So it’s not a problem that there is a Dutch automotive supply company with a similar logo. Apple Records and Apple Computer had similar names and logos for decades without trouble, until Apple got into the music business. (I love the closing comment from The Register article on this: “Lawyers for the Arc de Triomphe and Stonehenge were last seen kicking the dirt dejectedly.”)
The idea of a visual system is to create a common look and feel that lets you easily spot material from the same company. This before-and-after comparison shows the difference. Individually, the before materials are fine pieces of work, but it’s hard to see that they all come from NetApp.
Notice how we use the logo as the foundation of our visual design. Sometimes we use fragments of the logo, or shapes that are reminiscent of the logo, as in www.netapp.com. Other times a large logo interacts with other images, as a platform to hold them up, or a gateway for them to step through. The complex shape of the old logo was hard to use as anything except a stand-alone symbol.
It’s funny how logos absorb meanings and feelings. Why would two arcs painted a particular color represent food? There is no logic to it, but when I drive down the interstate and see those golden arches, it definitely means hamburgers and french fries. I know that the golden arches don’t inherently “mean” hamburgers, and I won’t argue that they are an artistic triumph, but over time this simple symbol has built up powerful associations.
The Arc de Triomphe inspired our “blue gateway” logo. The triumphal arch is a symbol of victory and progress going back thousands of years. I understand that there’s nothing inherent in the shape that means “innovative enterprise storage that helps you go further and faster toward your goals,” but if we continue helping our customers to succeed, then it will absorb those positive associations over time, just like the old logo did. I don’t know if the new logo is artistically better than the old one, but I think it’s a better symbol for NetApp.
As I said, I loved the old logo, but after 16 years, it no longer met NetApp’s logo requirements. It’s no surprise that I like the new one, since I helped chose it. More importantly, the new logo meets the design requirements much better than the old. And I love the flexible way we are using it as the foundation for our visual identity.





